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Jane Quimby, (Erica Dasher) is a teenager, mistaken for an adult, who lands her fashion dream job. She has her best friend Billy (Nick Roux) help her out, although he had a relationship with Lulu (Meagan Tandy), a girl who has been mean to Jane since the seventh grade. Now Billy dates the new girl, Zoe, which makes Jane feel like he's replacing her.
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Nick Fadden (Matthew Atkinson) is Jane’s long standing school crush. The popular jock hasn’t paid much attention to Jane but something new about her starts to pique his interest. Jane’s boss is steely fashion executive Gray Chandler Murray (Andie MacDowell) who travels the world in search of the next big style trend. With a full schedule and a lot of demand, Gray expects nothing but perfection from her new assistant.
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Jane's father died and her mother ran out on Jane and Ben before the series started. Jane's mother has returned home to Jane and Ben, and she stays awhile. Her brother Ben (David Clayton Rogers) tries to make money by getting jobs, but the jobs never work out until he lands one as the athletic assistant at Jane's school. At Donovan Decker, Jane discovers a world full of fashion challenges working for Gray Chandler Murray (Andie MacDowell) and tackles them with the help of her co-workers, Jeremy Jones (Rowley Dennis), India Jourdain (India de Beaufort), Carter (Ser'Darius Blain) and Birdie (Brooke Lyons). Jane tries to be the best at her job and her school, juggling the everyday challenges of high school and the world of fashion.
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Performances are solid throughout, though McAdams’ projection was muted at a recent performance. Still, it’s the story that truly drives “Mary Jane.” More often than not, the labor of child rearing lies heavily on the mother, who is frequently the primary parent, whether partnered or otherwise. As a single mom caring for a special needs child, the weight of Mary Jane’s existence and her adoration and love for her son are the anchors fortifying this narrative. By the time the final curtain on “Mary Jane” drops, the audience is fully immersed in the titular character’s experiences. McAdams masters her portrayal of a determined caregiver continually sitting in the uncertainty of worry, despite constantly leaning toward positivity.
I just cant get enough of this show and i Think that abc made a big mistake for canceling this show. The show’s co-creators, Christopher Silber and Matt Bosack, also took to their respective social media accounts to share their feelings about the cancellation. The actress, who portrays Jane Tennant, took to her Instagram Stories late Friday night to share how she was feeling after learning the show wouldn’t be returning for a fourth season.
It’s a tricky system to capture in a tight play with a five-person cast and sparse, economical staging at the Samuel J Friedman Theatre, but it’s one this Broadway edition, directed by Anne Kauffman, manages to wrangle through the nucleus of Mary Jane. She’s the center of a network of women who help care for Alex, from contracted at-home nurses to emergency room doctors to supportive parents of fellow chronically ill children. It’s McAdams’s Broadway debut, and though she started the play, in my viewing, a bit jittery and unnaturally rhythmic, she soon settled into her role as the linchpin in this young’s boy curtailed life with magnetic ease.
Storyline
Even from rows back, you can see a hint of tears, the tick of a clock and checks of a to-do list behind McAdams’s smile, her lighthearted banter with her super (Brenda Wehle), at-home nurse Sherry (standout April Matthis), Sherry’s niece Amelia (Lily Santiago) and fellow mother Brianne (Susan Pourfar). Amy Herzog’s beautiful play “Mary Jane” is, at its core, a study of the extraordinary lengths to which a mother will go to fight and care for her child. But the takeaway from time spent at the Samuel J. Friedman Theatre goes beyond even that realization. You leave after 90 minutes with a near-crushing awareness of the unfairness of life, how some moms with a well of parental love inside get to stand in playgrounds on gorgeous fall afternoons while their kids run around and laugh. Meanwhile, others are forced to deal with hospital beds and code blues, the ups and downs of shifting diagnoses, live-in nurses, drug regimens and hospital music therapists who cannot be tracked down in time.
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Alex can’t, actually, vocalize anything – he was born with a paralyzed vocal cord, his endearingly peppy mother explains, along with other health conditions such as cerebral palsy, requiring round-the-clock care. We hear his machine’s beeps and whirs, see his mountain of stuffed animals on a hospital bed, jolt and hurdle along his journey from medical hiccup to crisis. And yet, as Mary Jane – the titular mother so movingly, hauntingly embodied by Rachel McAdams – insists, he can understand her. As the 95-minute show progresses, the audience becomes oriented on Mary Jane’s world and gets up to speed on her son Alex’s condition. Mary Jane’s daily schedule revolves around medications, machines, timers and very little sleep. Alex has been assigned a fleet of night nurses, but Sherry (April Matthis), who has worked with the mother and son for the past year, is the most consistent and dependable.
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Jane by Design is an American comedy-drama television series created by April Blair the show premiered on January 3, 2012 on ABC Family. The series follows the live of Jane Quimby ( Erica Dashe ) a teenager who had to be mistaken for an adult to finally get her fashion dream job and work with a world-famous designer, Gray Chandler Murray ( Andie MacDowell ). She is now juggling between two secret lives one in high school, and one in high fashion. Jane By Design (formerly known as What Would Jane Do) is a light-hearted drama about Jane, a teenager who lands a job at a hip retail company when they mistake her for an adult. Jane soon finds herself juggling life both as a regular high school student and as an assistant to a high powered executive in the cutthroat world of fashion... A teenager lands a job at Donovan Decker, a hip fashion house, when they mistake her for an adult.
Hard to think of another play that understands so well. Fans have been so disappointed over the cancellation, they even began a petition on Change.org to collect enough signatures to convince CBS to save the show. They also encouraged their fellow viewers to begin sharing tweets with the hashtag #SaveNCISHawaii.
Teenage Jane lands a job at Donovan Decker, a hip fashion house, when they mistake her for an adult. Healthcare is a vast ecosystem of treatment, suffering and healing, of hospitals, bills and logistics. It’s often, rightly in the US, denigrated for its opacity, inequities and Kafka-esque absurdities.
Our team of journalists delivers the latest news for movies and TV shows. Here you will find an overview of the cast & crew of the Jane by Design series from the year 2012, including all actors, actresses and the director. When you click on the name of an actor, actress or director from the Jane by Design series, you can view more films and/or series by him or her. The most powerful of these scenes involves a conversation with a doctor, played with clinical acuity by April Matthis. The subtext of the scene is that the doctor, leaving room for hope, is gently trying to get the mother to realize the bleakness of her child’s prospects and thus better weigh the risks and benefits. Herzog’s skill as a writer means that you feel the conversation alongside McAdams’ character, you are alongside her on a journey no one wants to take.
And so much does she desire Alex’s comfort, his fleeting moments of child joy, despite tubes and immobility and illness. The play has a hypnotic, suffusive effect – there’s not one heartbreaking or cathartic moment but a series of many wins and setbacks, hurdles and sprints of human care, that left me on the verge of tears for hours afterwards. In her small gestures – climbing into bed with Alex, reassuring him that “Mama’s here” – McAdams, with the chorus of help around her, conjures a world of compassion, one I missed when it was over. Alex, the two-year-old child at the center of Amy Herzog’s excellent play Mary Jane, is a constant presence on stage, despite never showing his face nor saying a word.
Mary Jane is a personal assistant who is struggling to care for her child and keep her job and McAdams has a cheery, round face and infectious smile. The power of the performance lies in McAdams’ ability to deglamorize herself without letting that undermine the formidable, everyday optimism of this character. How could all of this happen to her, you keep thinking, letting the play send your mind spinning as to what life for Mary Jane would have been like without this challenge. Medical dramas are very difficult to stage in a live theater for all kinds of reasons.
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